Dan Ruprecht
History 209S
Outline
Note: this outline is unfinished. Besides the introductory
section, it is not properly organized because I am still trying to figure out
the most logical way to do so. I have done most of my research so far on #2, “The
Sailors’ Manliness”, which is apparent. Currently, it’s grouped by source rather
than theme or topic. Thanks in advance for looking over this.
1.
Introduction
a.
“Hook”
i.
Carmen Theater attack to interest
reader and introduce topic broadly
b.
Define the riots in general
i.
Scale in Los Angeles, then all over the
country
ii.
Actors: American servicemen vs Mexican
Americans
c.
Describe a zooter and his suit
d.
Offer explanations of the attacks
i.
“Juvenile delinquents” / “Zoot Suit
War”
ii.
Nature of the suits
1.
Rationed fabric / expensive watch
chains
2.
Unpatriotic
3.
Problems: victims who didn’t wear the
suit / obviously assisting war effort
iii.
Racism
1.
Gene Cabral
2.
Conventional narrative
iv.
Complicate the explanation
1.
Strange nature of the attacks
a.
Public humiliation
b.
Dominance of the servicemen
e.
Add my interpretation: clashing gender
identity
i.
Hit ‘em with the thesis: The only way to understand the attacks, and
the racism at their core, is to explore the conflicting definitions of manhood
in the white serviceman’s mind and the young Mexican American’s.
2.
The Sailors’
Manliness
a.
Naval
recruiting posters (“Be a Man and Do It” “Men Make the Navy. The Navy Makes
Men”)
b.
Mrozek,
Donal D. J., “The Habit of Victory: the American Military and the Cult of
Manliness” in J.A. Mangan and James Wallvin, Manliness and Morality: Middle-Class Masculinity in Britain and
America, 1800-1940.
i.
“Notwithstanding
the actual pluralism of American culture, at virtually any time in its history,
the US military have been more likely than civilians to envision a unitary
culture and society – or, at least, to set narrower parameters for variations
from the culture’s norms.” 226
1.
In
other words, the United States military is at the forefront in imagining and
imposing cultural norms on those they see around them
ii.
“need
for defence exaggerated behavioural differences between men and women” 220
iii.
service
itself was a rite of passage.” 222
iv.
intrinsic
worth and practical benefits of hierarchy and authority” 222
v.
Spirit
of professionalism,” “passionate dedication to discipline and order.”
c.
Barrett,
Frank J., “Organizational Construction of Hegemonic Masculinity: The Case of
the U.S. Navy” in Whitehead, Stephen M., & Barret, Frank J., The Masculinities Reader.
i.
“The
military is a gendered institution. Its structures, practices, values, rites,
and rituals reflect accepted notions of masculinity and femininity. But it is also
a gendering institution. It helps to create gendered identities.” 97
ii.
“navy
can be seen to be designed to create chronic testing that continually marks
those who pass these tests terms of traditional masculinity and serves to
separate the weak from the strong… validated through the exercise of power over
the self and others.” 74
1.
i.e.
always need to prove their own masculinity
iii.
“Masculinity
in this culture is very public, but never secure.” 90
iv.
“embodiment
of traditional male sex role behaviors.” 77
v.
“independent,
risk-taking, aggressive, heterosexual, and rational”79
vi.
“Various
studies of military training reveal that the military persuasively bounds off
the recruit from civilian life in an effort to socialize ‘boys to be men.’
Recruits learn the value of appearance, cleanliness, exacting detail, and
respect for rank and tradition. They come to value conformity and obedience,
and learn display rules for exhibiting aggression and courage in the face of
risk.” 80. … “From small rituals such as shaving heads and discarding civilian
clothes for uniforms, to warrior initiation rites, violent drill instructors,
hazing rituals, sex education films on the harms of venereal disease, recruits
learn that there is ‘a cult of toughness and masculinity traditionally associated
with making soldiers out of civilians.’” 81
1.
i.e.
separated themselves off from the world, associate self with masculinity
2.
“…structures
and routines that call for continual testing of these qualities. This is a
culture that chronically creates trials that separate the ‘weak’ from the
rest.” 81
3.
“In basic training, drill instructors
sometimes called marine recruits ‘faggots’ to imply that they lack the
aggression associated with masculinity.” 82
a.
An
insult acceptable from leaders, but not from the zooters!
vii.
“…
risk taking; discipline; excitement associated with operation of powerful
technology; tolerance of degradation; stoic endurance of hardship; tenacity and
perseverance in the face of difficult physical trials; rational calculation;
absence of emotion; and technological mastery.” 95
d.
Belkin,
Aaron. Bring Me Men: Military Masculinity
and the Benign Façade of American Empire 1891-2001
i.
“…service
members often explain their willingness to risk their lives in terms of a
desire to cement their masculine status…” 2
ii.
“…I
show that military masculinity is a site where domestic fears of the other have
been exaggerated and then implicated in the smoothing out of imperial responses
to exaggerated foreign threats.” 5
iii.
“…
approximately a century ago, when American military masculinity consolidated as
a dominant paradigm for male authority, a paradigm that came to model normative
citizenship for civilians not just soldiers and that valorized toughness on the
one hand and obedience and conformity on the other.” 7
iv.
“Soldiering
would be seen less as one among many normative masculinities than as the
paradigmatic embodiment of normativity… the new military man as well as the
civilian who emulated him would nonetheless have a greater penchant for
obedience, conformity, and docility.” 12
v.
“In
the late nineteenth century, the synthesis of two overlapping trends anticipated
the consolidation of modern American military masculinity as a dominant
paradigm. On one hand, nineteenth-century ideals of manliness to which only
some men could aspire were transformed into a more broadly applicable form of
masculinity which was intrinsic to all men and whose emphasis on both
self-control and ruggedness mapped closely onto emerging ideas about military
professionalism. On the other hand, public glorification of the military as an
institution deepened just as the armed forces came to exemplify the state and
the nation in more intensified ways. While American society always has been
militarized, the militarization of the public sphere became more connected to
the military as an organization a century ago. Modern American military
masculinity emerged as a dominant paradigm of male authority at the
intersection of these two trends.” 13
3. Mexican
American Manhood
a.
Primary sources: PBS American Experience interviews
b.
Gerardo, Galadriel, Misunderstood Masculinities
i.
Separate pachucos (“punks”) from “zoot suiters” (8)
1.
Pachucos’ gang activity, prostitution—petty
crimes, mainly
2.
No distinction in the minds of white
servicemen
3.
LATimes June 29 – “Why Call Them
Anything?” article
4. Detailed
story of the riots
a.
Prologue:
i.
WWII changes the city
1.
Half a million immigrants to the city
(Gerardo, 14)
2.
Factories still segregated (ibid); drew
workers from afar
3.
LA Armory, completed 1940, had “more
reservists than anywhere else in the United States” (ibid)
4.
Constant fear of bombings after Pearl
Harbor (Gerardo, 15)
a.
Fear of “internal enemies” – Japanese internment
5.
“substantial permanent
second-generation Mexican American population existed in LA for the first time”
(Gerardo 16)
b.
Sleepy Lagoon (story in full; Gerardo
17)
i.
Fuels idea that Mexicans are
violent/criminal/delinquent
ii.
22 charged conspirators, largest mass
trial in California history (after arrested over 600 in a massive three-day
dragnet, beating many for confessions (Gerardo 19)) People v. Zammora et al.
1.
Newspapers sensationalize the trial;
civil rights groups complain about unjust treatment
a.
Men not allowed to cut their hair or
change their clothes or sit with their lawyers for a couple weeks before
finding 17 guilty
2.
Starts newspaper stories of zoot suit
gangers/Mexican crime wave
iii.
“Boy Gang Terrorism Charged to Axis
Agents” (PBS American Experience)
iv.
Threat abroad are the Japs, the “Local
threat is our Mexican American youth.” (PBS)
c.
June 3-15th
i.
The LA riots, told in full (Gerardo,
19-22 for bullets
5. Concluding
analysis
_________________________________________________________________________________
Dan Ruprecht
History 209S
Zoot Suit Masculinity
In
early June, 1943, as war ravaged Europe and rocked the Pacific, a cohort of
about 50 American sailors descended upon the Carmen Theater in Los Angeles,
armed with clubs and homemade bludgeons, out for blood. They brushed aside the
theater’s staff, flipped the lights on, and spotted their target: a small group
of young Mexican American boys. The servicemen dragged the boys out of the
theater, tore off their clothing, and began to beat them mercilessly. They
attacked any civilians who tried to step in as they made a bonfire of the boys’
clothes and swaggered off, into the night.[1]
Thus began the Zoot Suit Riots.
The next day,
more than 200 soldiers joined in the offensive, assaulting the Mexican American
population all over Los Angeles as the police force watched. Civilians assisted
the soldiers as the attacks spread into East Los Angeles, the heart of the
Mexican American barrios. The LAPD claimed they “lacked jurisdictional
authority” to act against the military, and in the coming days would aid or
protect the servicemen in their attacks.[2]
They arrested hundreds of young Mexican Americans, allegedly “for their own
protection.”[3] In
the following months, the attacks were imitated in major cities across the
United States by servicemen in the army, navy, air force and local police
forces. In most cases, sailors or soldiers sought Mexican American boys between
16 and 18, stripped them naked, and burnt their clothes in front of their
eyes—often urinating on the flames to add to the humiliation—and beat the boys
“with a sadistic frenzy.”[4]
The
name “Zoot Suit Riots” comes from the flamboyant outfits that most victims wore:
ballooning high-waisted pants tightly cuffed at the ankle, long jackets with
broad, padded shoulders, a conspicuously long watch chain dangling from the
pocket, comically fat ties, and wide-rimmed flat hats – a zoot suit. The “zoot
suiters” or “zooters” stood in stark contrast to the American sailors wearing
their government issued naval uniforms, but of course, understanding the causes
of the attacks is much more complicated than identifying who fought whom.
Los Angeles
mayor Fletcher Bowron maintained that the riots were caused by the Mexican
American “juvenile delinquents.”[5]
Many popular media sources concurred, portraying the “Zoot Suit War” as the
struggle of heroic American servicemen against a perceived “Mexican crime
wave.”[6]
Neither interpretation holds water against even the slightest investigation, as
many at the time already knew.
There is a case
to be made that the zoot suits themselves, those incredibly conspicuous, extravagant
suits, set off the servicemen—that the soldiers were outraged by the zooters’ flamboyance.
It seemed like an affront to the soldiers that the boys would wear clothing
that took up so much rationed fabric or watch chains that cost so much money at
a time when the government urged citizens to spend any excess on the war
effort. With this logic, many argue that the outfits themselves were unpatriotic
or subversive, enough to set off the ire of the soldiers. There are two glaring
problems with this train of thought: many Mexican Americans who were attacked
did not wear the suit, and most all of the boys had siblings in the military
and planned to join themselves once they were of age. The small amount of
spending money that they had generally came from working in wartime factories. Gene
Cabral was one such boy, 15 and working in a factory as his four older brothers
fought abroad. He recognized that the attacks were never about the outfits.
“Looking back
now,” he said in 2013, “I’m pretty sure that people were just racist.”[7]
Most every history written in the past half century agrees, and the riots are
currently understood to be a kind of one-sided racial war. White sailors, to be
joined by other servicemen and police as the riots spread hunted young Mexican
Americans, and later other minority communities.
Racism was
certainly a primary motivator, but the nature of the attacks suggests that
there is yet more to consider. Servicemen focused on public humiliation,
burning and urinating on the zooter’s clothing while the boys watched, naked
and defeated. Allegedly in some cases, the servicemen sexually abused the boys.
These kinds of attacks focus on establishing the dominance of the servicemen,
first by physically forcing the boys into submission (beatings) and then
shaming them (burning their clothes). It is a style of attack which, I propose,
was motivated in large part by clashing ideas of what it meant to be a man in
America.
Necessary to
understanding a racial attack is to consider different components of racial
identities, in this case, gender identities. White American servicemen
considered themselves to be men for wildly different reasons than their younger
Mexican American counterparts, and that dissonance in describing “manliness”
was both a part of the servicemen’s racism and something greater. The
servicemen felt threatened in their manhood by the competing and unconventional
gender identity of the Mexican Americans. Because they were empowered by the
state to employ violence upon the other, they did so to reassert their manhood.
The only way to understand the attacks,
and the racism at their core, is to explore the conflicting definitions of
manhood in the white serviceman’s mind and the young Mexican American’s.
Men Make the Navy. The Navy Makes Men.
On
the 20th of March, 1779, Marine Captain William Jones took out an
advertisement in the Providence Gazette:
“The Continental ship Providence, now lying at Boston, is bound on a short
cruise, immediately; a few good men are wanted to make up her complement.”[8]
Since Jones’ advertisement, the US Marine Corp has been recruiting “a few good
men,” even while the meaning behind those words change. Deconstructing what the
slogan conveyed in the 1940’s is a useful means to begin to understand marine
masculinity during World War II, especially as many of the underlying concepts
can be applied to the military in general. The qualities which make up a man
were tempered over decades of warfare and made precise at the turn of the
twentieth century when emerging ideas of military professionalism mingled with
the spreading sentiment that one’s class ought not limit capability for
manliness.[9] What now seems like the traditional view of
white American manhood was then only forming—and mostly thanks to the military.
Essentially, by the early 1940’s, the United States Military had successfully
conditioned its soldiers into believing in and practicing a very specific kind
of masculinity, and more importantly, that specific gender identity was established
as the American cultural norm.
First
off, the military is “the few.” Simply put, it is an organization that very
intentionally separates itself from commoners or civilians. Servicemen are
exceptional. In alienating its troops from the rest of the population, the
military is able to impress their own ideas onto the recruits and establish them
as the norm in the military. Those who choose to join the ranks must learn new
codes of conduct to transition from civilian to soldier, or, in a recruiting
pamphlet’s words, from “boys to men.”[10]
The military thus establishes their practices as essential for manhood; the
civilians who come to the military, regardless of age, are boys, lacking some
necessary qualification for manhood. Their service then acts doubly as a rite
of passage: first soldiers are separated from the population at large, then
they are separated from their past selves and raw recruits. In each case, the
soldier has become more of a man.
More
importantly however, servicemen are “good men.” As soon as training begins,
recruits learn what it means to be a good man:
appearance, cleanliness, exacting detail, and respect for rank and
tradition. They come to value conformity and obedience, and learn display rules
for exhibiting aggression and courage in the face of risk. […] From small
rituals such as shaving heads and discarding civilian clothes for uniforms, to
warrior initiation rites, violent drill instructors, hazing rituals, sex
education films on the harms of venereal disease, recruits learn that there is
‘a cult of toughness and masculinity traditionally associated with making
soldiers out of civilians.[11]
Recruits understood well that
these expectations set them apart from those on the outside and secured their
status as men, especially in the Navy and the Marines.[12]
A recruit was docile, uniform, courageous, and very heterosexual.[13]
These aspects were not only stressed as important and beneficial in themselves,
but necessary to be a man in the military. Further, they were constantly
tested.
Even
after training was completed, a soldier had to expect “chronic testing that
continually marks those who pass these tests in terms of traditional
masculinity and serves to separate the weak from the strong.”[14]
On any day, a soldier may be called to prove his manhood to his peers and
superiors in fights or obstacle courses, or by being spontaneously put into
command and forced to keep a level head. Masculinity then, was “very public,
but never secure.”[15]
[1] This story is recounted in
the introduction (p 223 – 225) and conclusion (p 257) of Pagan, E.O. “Los
Angeles Geopolitics and the Zoot Suit
Riot, 1943.” Social Science History
Spring 2004, no 24.
[2] Gerardo, Galadriel, Misunderstood Masculinities. Dissertation,
UCLA, Los Angeles, 2007. 21
[3] Pagan, 247.
[4] Ibid, p 249 &
McWilliams, Carey. North from Mexico: The
Spanish-speaking People of the United States. Praeger, 1990.
[5] “Zoot Suit Riots," Britannica
Academic, accessed January 26, 2016, http://academic.eb.com/EBchecked/topic/1317905/Zoot-Suit-Riots.
[6] Ibid
[7] Baeder, Ben, “Zoot Suit
Riots: Racism underlies week of violence in Los Angeles” San Gabriel Valley Tribune (California, June 1, 2013).
[8] United States Marine Corps,
History Division. Accessed www.mcu.usmc.mil/historydivision/pages/frequently_requested/FamousQuotes.aspx
[9] Belkin, Aaron. Bring Me Men: Military Masculinity and the
Benign Façade of American Empire 1891-2001
[10] Barrett, Frank J.,
“Organizational Construction of Hegemonic Masculinity: The Case of the U.S.
Navy” in Whitehead, Stephen M., & Barret, Frank J., The Masculinities Reader, p88
[11] Barrett, 80-81
[12] A cult of superiority
exists, more so with the Marines than other sections of the United States Armed
Forces that they are the most capable, most manly, most powerful, etc. It is
well documented and has been remarked by most every scholar studying American
military culture. See Barrett for more.
[13] Regardless of the
contradictions and ample evidence of homosexual assault in the navy, which
again is well documented. The point is that the ideal manhood was specifically
heterosexual. See Belkin for more.
[14] Barrett, 74
[15] Barrett, 90
Hi Dan,
ReplyDeleteThis detailed outline is going to serve you well as you write the rest of your paper! As for general structure, I like your opening, and these first few pages flow quite smoothly. But I wonder if you might insert a road map and your thesis earlier in the paper to make your analysis of masculinity easier to digest. You describe your argument here without quite identifying it as the main theme of your paper.
The description of the military's transformation of "boys" into "men" is fascinating and well-constructed. I have only a couple of questions: First of all, you present the army as a force of whiteness, but as you say, there were Mexican-American servicemen as well. How did they react to the horror of these riots? Were they forced into silence, because their position as "military men" was already tenuous enough in a white-dominated institution?
I also wondered about the term "Zoot Suit Riots," which seems to imply the zooters and their dress as instigators. You might mention that implication when you introduce the term.